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50mm f/1.8 Mid-Range Prime Lens

Model number:

SEL50F18

Rated 5 out of 5 stars
Perfect for portraiture and a range of other subjects, the f/1.8 max aperture and optical image stabilization provide impressive image quality under low-light conditions and when capturing video.

ADDITIONAL IMAGES:

$299.99

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A focal length that is perfect for portraiture and a range of other subjects, a bright f/1.8 maximum aperture, Optical SteadyShot™ (OSS) image stabilization and impressive image quality. The large maximum aperture and Optical SteadyShot make it possible to shoot crisp, clear images under low-light conditions that would be beyond the capabilities of a conventional lens.

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Built-in Optical SteadyShotTM image stabilization

The built-in Optical SteadyShot image stabilization system provides a 4-stop (approx.) shutter speed advantage, making it significantly easier to achieve crisp, blur-free images and video.

Compact and lightweight

The SEL50F18 is remarkably compact and lightweight for a large-aperture mid-range telephoto lens (50mm focal length/75mm equivalent in 35mm format). It is convenient to carry around for general photography, and particularly well suited to shooting portraits. The elegant aluminum alloy exterior of this lens affords an appearance that blends beautifully with the graceful design of E-mount bodies, and the engraved focus ring offers sophisticated appearance as well as superior grip and operating feel.

Smooth and quiet high-speed focusing

Lens operation is fast but at the same time smooth and quiet, minimizing noise and image jitter when shooting movies. A linear motor used for focus drive contributes to low-noise focus operation, while a stepping motor built into the lens, technology inherited from Sony's professional camcorders, results in smooth, quiet aperture actuation ideal for movie shooting.

Large F1.8 aperture

The SEL50F18 has an innovative optical design to achieve clear, high-quality images by effectively minimizing distortion and chromatic aberration. Moreover, the large maximum aperture of this lens with its circular aperture design, can produce beautiful, creamily defocused backgrounds.

Direct Manual Focus (DMF)

Direct Manual Focus (DMF) allows the user to go directly to manual focusing after autofocus lock-on without having to switch modes. In cases where autofocus has trouble locking onto the subject, or when the user wants to focus at a specific point, DMF facilitates fast, easy fine focus adjustments. This can be particularly useful for portraits in which depth of field can be extremely shallow.

Product Specifications

Service and Warranty Information

  • Limited Warranty Term : 1 Year Parts & Labor

Optics/Lens

  • Aperture (Max.) : f/1.8
  • Aperture (Min.) : f/22
  • Focal Length (35mm equivalent) : 75mm
  • Filter Diameter : 49mm
  • Lens Groups-Elements : 8 groups, 9 elements
  • AF for Movie Capture : Yes
  • Minimum Focus Distance : 15.3" (0.39m)
  • Angle of View : 32°
  • Aperture Blade : 7 blades (Circular aperture)
  • Dimensions (Max. Diameter x Length) : 2-1/2 x 2- 1/2" (62x62mm)
  • Direct Manual Focus : Yes
  • Exterior Finish : Metal
  • Internal Motor : Yes (Stepping motor)
  • Lens Weight : 7.25 oz (202g)
  • Low Noise During Movie Capture : Excellent
  • Maximum Magnification : 0.16x (APS-C)
  • Mount Material : Metal

Weights and Measurements

  • Dimensions (Approx.) : 2-1/2 x 2-1/2" (62 x 62mm)
  • Weight (Approx.) : 7.25oz (202g)

In the Box

  • Lens cap
  • Lens rear cap

Product Profile

Support

Product Warranty

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SEL50F18 5 5 9 9
Fantastic Lens After buying the NEX-5N I was told by many photographer friends to get a fast fixed lens. I was happy to find out that this lens was well-reviewed and a great value so I decided to buy it. No regrets! I have had this for some months and after getting used to it I am able to take some amazing shots with great clarity. The bokeh is also of very high quality and is the most enjoyable aspect for me. The fast fstop allows great portraits as well. The construction is solid and the focus ring is smooth. A definite must have for any photographer. June 10, 2013
NEX essential I read reviews explaining this was a great lens, but I was now prepared for how great. I've had it for 4 months, and it is a dream to work with. The images look great even wide open, and I love the bokeh effect. The focus ring is very smooth which makes it extremely easy to get your tiny depth of field right where you want it manually. If you use the NEX camera you simply have to buy this lens (why else would you buy it?). The only drawback is the lack of any indicator as to where your depth of field is on the lens. That would have been nice, but as stated it's not hard be accurate with just your eye or the peaking function. At $300 this is almost a steal. April 4, 2013
Amazing value This is an outstanding lens for the money, and would be a bargain even at a much higher price. I like shooting portraits, A LOT. For serious shoots I use an A77 camera with a 25-year-old Minolta 85mm F1.4 portrait lens, but for casual shoots (when traveling) the 50mm F1.8 OSS on my NEX5n is very hard to beat. It is not as long as I prefer for head shoots (FF equivalent of 75mm instead of my preferred 135mm), it is perfect for head and shoulder portraits or people at work portraits. What really surprised me is the quality of bokeh and just how sharp the lens is. Bokeh is creamilicious, almost of the same quality as my Minolta 85 (a legendary lens for beautiful bokeh). Sharpness is even better than the Zeiss 24mm from F4 and color is almost as rich, but wide open its a bit soft at the edges. Of course, since I use this as a portrait lens, I'm usually shooting wide open and blurring whatever is on the edges anyway. Outdoors in daylight I use a 3 stop neutral density filter to keep this wide-open, and usually keep the NEX5n down under ISO 800. Indoors, I've shot this lens by firelight and with the OSS still get sharp handheld shots (down to 1/15th second at ISO 800). This is a specialty lens, unlike the old nifty fifties form the film days. As a short telephoto, this is really only used for photographing people or objects, rather than places. Still, I bring it with me more often than I leave it at home. Combined with the also outstanding (though far more expensive) Zeiss 24mm, this lens is part of an extremely versatile travel outfit. December 4, 2012
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