Rated 5 out of 5
by Lacroix Great Camera!!!
Although not perfect but I'm happy to replace my Nikon D800E. I love the ease of use and the light weight aspect of this camera. I've been a Nikon user for 15 plus years and was really skeptical in switching to the Sony A7r. Before selling my beloved Nikon D800E, I did few comparison shoots and found that the only thing going for Nikon was their lens selection, other than that, the A7r was light, as sharp, cheaper, and for me, the video quality was better. Sony wins here but let's hope they have some native Ultra-wide glass for landscapes like a 14-24mm f2.8 soon...
July 20, 2014
Rated 5 out of 5
by TheCreativeAI The future of photography!
I fully recommend the a7R to all photographers. This is an inclusive statement because once you take a picture, it is legacy; and, at the end of the eon, whoever you immortalize might as well appear a goddess. Sony has changed the nature of photography by packing tons of technology into a 1 pound system that makes high quality compositions easy. The resolution and technology to capture images—even in near darkness—can be so much better than the naked eye, that you can take pictures of a starry sky or a curvaceous leaf only to find that you opened new realms of detection. The A7R system is the new paradigm of photography: It adapts to the widest array of accessories from other cameras; and it works like your eye and brain, together, to do things like no other camera. Online magazine reviewers meticulously describe the A7R and I would encourage visiting a couple of sites for deeper technical insights. Indeed, my comments tend toward the philosophical and may assist in the selection of accessories. I preordered, as follows: Sony Alpha A7R 36 MegaPixel Resolution Interchangeable Lens Mirrorless Digital Camera, A7R ILCE-7R/B Body; A to E mount lens adapter, LA-EA4; extra Battery Pack, NP-FW50; 2 years service plan, PP80H; and Carl Zeiss Prime Lens Sonnar T* FE 55mm F1.8, SEL55 F18Z. This parts list is to say that the A7R is a body that needs accessories to function—a $$$ expenditure to get started. With other Sony equipment in hand, including 32-64 Gigabyte SDHC cards, Alpha twin flash, Zeiss filters and Minolta A-mount lenses, I used the A to E Mount lens adapter for macro, landscape and night photography while I waited for my Sony FE lens to arrive. Set on spot autofocus, images taken with my 25 year old glass were razor sharp through the translucent mirror of the LA-EA4 adapter. The A7R is as much computer as it is camera; however, the training handoff is consistent with my Nex, Alpha, and Cybershot RX1 cameras. Automated functions like Superior Auto are so much fun that, honestly, the A7R makes a great a point & shoot camera that promotes constant play; however, be forewarned that SCN functions cannot be used in RAW format. In its place, set the A7R at Extra Fine image quality. Shooting a night display of luminarias on Hand-held Twilight yielded fabulous images at F/2.8 and ISO 6400. Later, I captured a full moon against a blue-black night sky and rich silhouetted trees by setting the A7R to Night Scene. Portrait and Sports Action settings are good at making relatives look their best. Panorama is cool because it makes any lens super wide angle by stitching shots together. Clear Image Zoom makes the A7R + prime lens into a zoom for video. For example, 2X Clear Image Zoom through the Sony FE 55 mm prime lens, takes it up to 110 mm telephoto; and it does close-ups or video portraits with marvelous F/1.8 bokeh. In a manner of speaking, just as our brains compensate for optical illusions, the A7R compensates for my brain forgetting, or not wanting, to bring the macro- or zoom lens along. Of course, there are technical tradeoffs, but the point is that this hybridization of electronics and optics opens our eyes to new ways of doing things.
Utilization of Minolta lenses on the A7R gave me a chance to sample a number of features, but after the prime Zeiss lens arrived, I could not find a reason to use the old glass anymore. As a prime lens and body unit, the resolution of this camera is so many times better than the human eye that it becomes important to step up technique for pro applications. Blow still life subjects off with a blast of air, wipe up smudges, and brush lint off. If hair is out of place, comb it back. Preparation matters because you want the model, and not the dustbunny, to pop. Hold the camera against a wall, rock, or fence; steady the lens under a sealed sandbag; and stabilize it on a monopod or tripod; otherwise, vibration and shaking will result in telltale tracks that you will see in enlargements. It helps to use a cable release or an iPad for remote shutter release. The iPad also serves as a large viewfinder on which you can pick up details. The iPad also assists when taking pictures at ground level or when shooting stars. For image processing of RAW compositions, download the free software for Sony ARW (RAW image processor) that is specific to your operating system. Transferring image folders directly from SDHC card is faster than WiFi, although WiFi may be more convenient when there are only a couple of files to work on. I do not use Tap and Send NFC because RAW files are 36 MB each and impact the capacity of my mobile telephone. I prefer to take the SDHC out of the A7R, insert it in the card slot on the side of my MacAir and drag the image folder to my laptop. When you order flash memory cards, specify Class 10, Secure Digital High Capacity SDHC or SDHX with the largest capacities and highest affordable transfer speeds. I have two SDHC cards, Sony SF32UX/TQ, that are ultra high speed and perfectly compatible with the A7R. I switch SDHC cards out for file downloads between shooting sessions and have never come close to running out of storage space. For studio shots, I set A7R quality to JPEG RAW and then Preview JPEGs on my laptop to quickly select the best RAW images. Finally, I delete the rejects and upload RAW & TIFF files to iCloud, Creative Cloud, SkyDrive, AT&T Locker, etc. Since the A7R was delivered, my smallest prints have been 8X10s, while the images are sufficiently high in resolution for me to transition the majority to 2X3 ft poster size—and I intend to do 3X4 ft prints next. As soon as Sony comes out with the Full Frame E-mount 22 mm F/1.4 ZA prime lens for the A7R, I will be carrying the A7R system fulltime. Snap the lens hood on, set the A7R on a weighted tripod at ISO 64 & RAW and you will never see a grainy enlargement ever again. Set the A7R on Auto and hand it to your teenager and you may inspire the next generation of electronics-optics photographer. There are yet, a dozen features that I have to master, but the A7R system is already my creative AI.
January 7, 2014
Rated 4 out of 5 by Tobypie Nice new toy, but still few cons
Having been playing a7R for two weeks, really a nice camera! You guys can find positive comments everywhere on internet, here are some cons from my perspective:
1: Some times laggy focusing. I use both Zeiss 35mm F2.8 and 55 F1.8. When aperture's widely open, especially for the 55mm lens @ 1.8, the camera itself sometimes looks like "confusing" which part to focus on. I used a toy on table to do this test (about 70cm far away from the 55mm lens), 3 out of 10 times, the camera put focus on the background and blur my toy. This happens in auto focus setting, you have to manually select the focus point to avoid this issue.
2: This cam is eating battery FAST! I mean, really FAST. The reason I think is the electronic viewfinder can be automatically, continuously turned on/off when you have this cam on your chest w/ strap and walk around, cause the camera may think you are continuously put your eyes on the EVF. Just same issue on NEX7.
3: Built in HDR output looks "surrealism", good for fun, not good for serious photographer.
3: Noise shutter. But that's OK.
All in all, fantastic camera!
November 22, 2013
Rated 4 out of 5 by Knet2D Great camera but looking for the next firmware
I've been shooting with the Sony A7R for over 2 weeks now and I like the quality of the sensor, the EVF, the ISO performance, video quality, wifi connection, even the shutter sound is loud but not that bad.
What I really find annoying are some of the menus and the button customization:
For example I am currently shooting the camera with manual lenses and the focus magnifier is good but it means: 1 click to select zone, 1 click for zoom and another click for extra zoom if needed and then start focusing, thats too much time unless you want the camera only for studio.
So why not allow us to customize one button with a direct zoom magnification option? you could safe in advance the area and the magnification but turn it into a single click action. Even better why not allow us to customize the shutter button, adding this magnification focus when half pressed would be of great help.
Overall would be good to simplify all the button functions, like for example if button C1 is to change the color of the peaking, instead press it to pop up the menu and then select the color, simply change the color every time you press the button.
Also why is not possible to set a minimum shutter speed? that would be extremely helpful shooting with A and M modes with autoISO.
Is a very good camera but with some very minor firmware fixes it could be GREAT!
November 26, 2013
Rated 5 out of 5 by viktas Best Mirrorless system to date but not perfect
Excellent sensor but different from my 5D3. Colors are cleaner crisper and more dynamic range is a nice touch. Ergonomics work best with battery grip and so does time and amount of shots available on one charge. Four batteries and grip will last 8 hour day shoot. Easy configuration of C1/2/3 buttons. I favor flexy spot for shooting fast lens and accuratecy with clients. Set C1 to flexy settings brinning up display and ability to set postioning with one touch. Also set both a7r and a6000 front wheel to shutter, rear to aperture and scroll wheel on a7r to iso easy, all in menu. Menu was easy to learn but best read manual as I did. will have to try focus peaking since I rearly ever focus manualy but evf works lovely just a bit small. LCD shows noise when zooming in but raw files look great in LR5. coulple of weakness, though. No high speed sync unless set to wireless and use line of sight flash. I use the 20 and 43 flashes for this line of sight or the a6000 pop up works here also. Shutter on a7r can cause movement with longer lenses, mostly past 100mm. takes some practice with my 150mm macro and sony a-mount to e-mount adapter or I can use a tripod and trigger and sitting works great also. I use a a6000 with soon to uptain 10-18, 16-50 works lovely for my youtube files and the 55-210 is very nice. then there's the a7r, 55 f1.8 and adator with 150mm macro lens true 1/1 magnification. Plus grip and two sony flashes. I will need to test 10-18 on a7r since reports are this lens has a range it will work FF on a7r. I dumped all my Canon gear and didn't want to go Nikon but want the portablily of this form factor with such beautiful files. Files are true pro grade. I am also finding I need to change my work flow in LR5 since files seem less saturated but definitely with more dynamic range similar to black magic video files.
July 14, 2014
Rated 5 out of 5 by menion Groundbreaking
Amazing landscape camera, high resolution and DR in a small package. Great FE 35 and FE 55 and can use adapted SLR lenses from just about any mount.
September 14, 2014
Rated 5 out of 5 by photocolor Finest Full Frame Image Quality
I'm using the camera with the 35mm f/2.8 lens and plan on getting more FE lenses in the future. I use the spot AF (and move it around the screen if necessary to select the area I want to focus on). and for landscapes I often use manual focus. You can customize the various buttons to your heart's content and I have. I have one of the buttons do spot AF when I'm in manual focus mode. It's easy to switch between the two (or more) options. I can get consistent exact focus easily via the EVF and magnify the view while handholding the camera. With the 36mp DSLR I used to have I had a hard time getting exact focus even with that camera was on a tripod and using live view. The a7r is totally superior.
The a7r with the 35mm lens provides image quality that is overall the best I have seen - similar sharpness to the 36mp DSLR (also w/o anti-aliasing filter, like the a7r) I used to have, but with a more natural rendering of detail, and in addition I prefer the color rendering of the a7r.
I turned the Pre-Af focus off (otherwise, when the camera is set to AF mode then it will continuously attempt to focus on whatever the lens is looking at, even though I'm not pressing the shutter button). Battery life is not great and the shutter sound is more than I expected for a mirrorless camera. I wouldn't recommend the camera as the best option for fast action sports, or for shooting silently in churches etc. But for just about everything else it's a winner.
To be able to get class leading image quality and ease of use in a package (body and lens) that is a pleasure to carry around (as opposed to a real pain in the neck with the usual heavy and bulky DSLR and honking big and heavy lens) is really wonderful.
December 15, 2013
Rated 5 out of 5 by SonyBoom Hard to beat this camera in resolution
Have not found any cons yet. Previous reviews may be a little harsh because of minor issues. This camera competes with the best full frame in production Nikon and Canon included. Battery life not a big issue, buy a battery grip, or a few spare batteries. What photographer does not carry spare batteries? The detail is amazing. No morie so far. Sony needs to add new lens to their collection, which they will. I think Nikon and Canon may be a step behind now that Sony has produced this camera.
December 4, 2013